Maze of Madness (2018) – a torment


Maze of Madness is a modern game for an ancient computer (namely the 8-bit BBC Micro, which this blog seems to endlessly bang on about).

Well, I say “game”, but it’s more of a demo – a demo of a rather cruel puzzle. But it is actually solvable, if you spot the trick.


Mathbrush, the Official Unofficial Historian of IF, said that he’d never come across any other game that uses the gimmick that’s used in MoM. Whether that’s a good thing or a bad thing is not for me to say. Because unfortunately I’m the author.

You can play the game online.

And more details about the game can be found at Stardot.


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Xanadu Adventure (1982) — shop till you drop

Xanadu Adventure was a text adventure game written for the BBC Micro by Paul Shave in 1982. Typically for the time, Shave was strongly influenced by Crowther and Woods’s Colossal Cave, and Xanadu therefore featured the requisite stream, grating, and forest-maze, etc. But there was little chance that any jaded adventurers would be bored by these all-too-familiar surroundings because before they could start exploring the game they were forced to go shopping.

The game opens with a list of miscellaneous items including weapons, torches, food, and, um, postcards. And each item is given a price. You’re then told that you have “125 shillings to spend”, and it’s up to you to decide exactly how to spend it — although initially you have no idea which of the items are going to be of any use.

The adventure shop and the player’s limited spending power were just a couple of ways in which Xanadu Adventure distinguished itself from the average ADVENT clone. Another was that it had a two-player mode. This didn’t involve the use of RS-423 cables or multiple BBC Micros as in Graham Nelson’s Escape From Solaris, which I wrote about previously. Xanadu‘s two-player mode required players to make a fixed number of moves, alternately, on the same computer. Players could ally and combine their weapon-count to fight monsters, or they could turn around and beat the hell out of each other instead. (The latter was the more popular choice with the playtesters of the game, who happened to be the author’s sons.)

But Paul Shave had more tricks up his sleeve. He decided to introduce randomness into Xanadu and, in the process, created what might well be the first CRPG on the BBC Micro. This, I now realise, is a wonderful thing. But it caused me no end of stress when I first started playing the game. Perhaps a list of some of the key features of Xanadu Adventure will help to explain why:

  • Random object-placement! Many of the objects in the game, including some of the treasures you have to collect, are placed in random locations when you start a new game. One of the most important objects is the spare cash, which in some new games doesn’t seem to be anywhere at all (though it actually is)! The problem of having to slog around the map because of random treasure-placement is compounded by…
  • Random dwarves and dragons! They pop up when you least expect it, and you have to kill them (the dragons, at least) to move forward. And sometimes when you kill a dragon, you experience…
  • Random sword-breakage! After fighting a dragon, your sword may (or may not) get broken, so you have to trek all the way back to the blacksmith to get it re-forged. And all this trekking about, finding treasures and/or repairing swords, is particularly bothersome because of…
  • Limited light! The batteries in your torch eventually run out, so you need to go back to the shop, which is right at the beginning of the game, in order to buy some more — and no, you can’t buy them at the start of a new game because there’s a…
  • Limited inventory! There’s only a certain number of objects you can carry at one time. You can buy a bag to increase the inventory limit, but then you run into the problem of there being…
  • Limited cash! You get 125 shillings at the start of the game, most of which you have to spend straight away on weaponry and light. There is some extra cash you might come across later, but you can never be sure where or when that will be because of…
  • Random object-placement! (REPEAT UNTIL FALSE…)

If for some reason you want a deeper understanding of how Xanadu Adventure can not only amaze and impress but also drive a player to the brink of despair, then see my walkthrough video, above.

I have to admit that it might be slightly unfair of me to harp on about the relentless, exhausting unpredictability of Xanadu — because the randomness did actually lead to some interesting emergent behaviour, which I was able to exploit to make my adventuring a little easier: see the “To Catch A Dragon” section of the video, for example, which surprised even the original author.

See also the entry for Xanadu at CASA (, which links to my written walkthrough (which I now know to be flawed — because Xanadu).

There are further details about the game at Stardot.

And you can play Xanadu Adventure online at

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Escape From Solaris (1984) by Graham Nelson

Previously I wrote about The Discovery, which is the first of two works of interactive fiction (known together as Galaxy’s Edge) that were written for the 8-bit BBC Micro in 1984 by Graham Nelson.

The Discovery is, more or less, a conventional single-player text adventure game. But the second game, Escape From Solaris, is for two players. It can be played either in split-screen mode on a single BBC Micro, with players taking alternate turns at the keyboard, or, unusually, on two BBC Micros connected together with a serial communications cable (RS-423).

This early form of “networked gaming” was an innovation. In fact, Escape From Solaris is the only Beeb game I know of that works in quite this way. (I did manage to find a BBC Micro version of Battleships that also used RS-423 comms between two Beebs, but Solaris is probably the only text adventure to do so.)

I’d been wanting to try to get the game running on two machines for quite a while, and last year I finally got around to it (after taking ages to realise that the way the comms lead had to be wired up was actually rather obvious). See the YouTube video above. Thanks to Lee for letting me borrow his setup and for helping me demo the game.

If you want to try Escape From Solaris yourself, you can play the game in an emulator in your browser, but only in split-screen mode in a single window (networked Beebs are not included):

Play Escape From Solaris online

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Skill, Stamina and Luck


In February 2016, the BBC broadcast a radio documentary about interactive fiction called Skill, Stamina and Luck. It focused largely on gamebooks like Fighting Fantasy, Choose Your Own Adventure, and some interesting historical examples — but it also took in parser fiction (text adventure games) and Twine.

To accompany the programme, the BBC created an interesting “interactive audio history of interactive fiction” in the form of a Twine web app, which included a simulation of a play-by-telephone adaptation of a Fighting Fantasy book and many audio clips of interviews, some new and some from the archive, with people like Steve Jackson, Ian Livingstone, Andrea Phillips and Emily Short.

(The Twine also included the audio from this episode of Micro Live, in which the BBC visited the offices of Infocom.)

The Twine app had been taken down from the BBC website, but it’s now been made available again by Steve Alderton, Content Producer for the BBC Taster pilots.

Try it here:

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Galaxy’s Edge (1984) by Graham Nelson

[UPDATE: You can now play Galaxy’s Edge online.]

Galaxy’s Edge is a two-part text adventure game created in 1984 for the 8-bit BBC Micro computer by Graham Nelson. I believe it was this Graham Nelson, the creator of the interactive-fiction programming language Inform – at least, people seem to think it was him. [UPDATE: It definitely was.]

Loading screen

Loading screen for Galaxy’s Edge, part 1

Part 1 of Galaxy’s Edge is a conventional but well constructed adventure in which you roam the stars in the Scout Ship Orion and unravel an intergalactic mystery.

GE opening

Screenshot of the beginning of The Discovery, the first part of Galaxy’s Edge

The second part, Escape From Solaris, is an ingenious two-player game which was designed to be run either on a single machine, in split-screen mode, or on two separate BBC Micros connected together by a special cable (the wiring diagram for which now seems to be lost, together with all other original documentation).

GE duo

Screenshot of Escape From Solaris, the second part of Galaxy’s Edge

I don’t think Galaxy’s Edge was available to play or download anywhere till now. I recently grabbed a rare copy of the cassette tape that came up on eBay, and I converted the contents so that the game could be played in a BBC Micro emulator like BeebEm.


My copy of the Galaxy’s Edge cassette tape

Here’s a link to a BBC Micro disk image containing a transfer of my copy of the game.

I don’t know enough about the author’s oeuvre to be able to draw out any clever thematic connections between this early work and his subsequent legendary output. (Assuming I’ve got the right Graham Nelson, that is – I’m still not absolutely sure that I have. If you can confirm or deny the attribution, then please let me know. [UPDATE: Confirmed.])


A 1984 magazine review of Galaxy’s Edge

I’ve played the first part of Galaxy’s Edge – the single-player game The Discovery – and I’ve managed to get promoted, but I know that’s not the best possible result. Can you do better..?

Screenshot of The Discovery, the first part of Galaxy's Edge,

Screenshot of The Discovery, the first part of Galaxy’s Edge

Here’s the entry for Galaxy’s Edge at CASA, the Classic Adventure Solutions Archive:

And here’s another game for the BBC Micro that might possibly have been written by the same Graham Nelson:

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The Secret of Arendarvon Castle (1985) — bytecode avant la lettre


[Play Arendarvon Castle online]

In previous posts, I wrote about Wander (1974), the interactive fiction creation tool for mainframe Unix systems. But my speciality (I use the word laughably) is text adventure games for the BBC Micro, the legendary 8-bit microcomputer that helped kickstart the 1980s home-computing revolution in the UK. (The story of its creation has been immortalised on film.)

The Secret of Arendarvon Castle by Arend Rensink is a text adventure game that was written not just for the BBC Micro but also for the Sinclair Spectrum, the Apple II, the Commodore 64, and the IBM PC. The game was notable for several reasons.


Firstly, the fact that there were versions for so many different systems can be explained in part by the way that the game was implemented — as a sort of bytecode. The bytecode ran on a small virtual machine, and there was a different version of the virtual machine for each of the home computers that the game was released for.

If you know about Infocom’s virtual Z-machine then you’ll find the concept familiar, but, as the author Arend Rensink told me after I asked him about the similarity, his own bytecode, ALADIN, was an independent invention:

It was independent; in fact, this is the first time I’ve heard of the Z-machine at all. Yes, I agree that it looks like essentially the same idea, and clearly they [Infocom] were there before. Well, in my defense I can claim that literature research was somewhat more cumbersome back then…

The idea of portable bytecode was a good one, but, in practice, it seems not to have worked out exactly as intended:

… the encrypted [data, much of which] is … a kind of bytecode avant la lettre … is … different from one computer to the next. That’s really a pity, for it means that your work will not be reusable [on machines other than the BBC Micro]. I suspect it might have something to do with memory layout differences, but I do not remember …

arendarvon 045

A program listing from The Secret of Arendarvon Castle


The “work” that Arend mentions is my cue to talk about the form in which Arendarvon Castle was distributed. As wasn’t uncommon in the 1980s, the game was published in the form of a BASIC program listing in a book, which you were supposed to type in by hand.

Yes, that’s right. You were meant to spend hours painstakingly typing and checking and re-checking and cursing and crying your way through the listing till every single line — sometimes hundreds of them — and every single command, string, and colon had been entered into your computer in exactly the same way that it had been printed in the book. And even then, when you were absolutely sure you had corrected your every last typo, the program often wouldn’t work because there had been a printing or typesetting error that hadn’t been caught before the book went to press.


Although there was no way to guarantee that a listing would be free of printing errors, Arend Rensink came up with one innovation for Arendarvon Castle that at least made it easier to spot when you yourself had made a mistake: checksums. The book included a program that would detect whether the bytecode that you’d typed in, which appears in the listing as long sequences of unintelligible numbers and letters, had an error in it. This was a godsend, which saved you a lot of time and bug-hunting eye-strain, and I can personally attest to that because I used the checksum program when I and another willing scapegoat recently sat down to input the listing into a BBC Micro emulator.

Thankfully, we weren’t typing everything in by hand. Arend had already put scans of his whole book online, including the listings, and it was those scans that we initially tried to go by. But they soon proved to be of too low a resolution to be useable. So I contacted Arend and told him of our plight, and he very kindly supplied higher-quality scans of the listings, and even OCRed them for us. The OCRing wasn’t perfect, but it was a start, and, with the help of the checksumming system, the game was soon up and running in BeebEm.


The game we typed in can now be played online. As far as I know, this is the first time The Secret of Arendarvon Castle has been put online in English. (The game and the book were also published in German and Dutch.)

Where am I?

The game is unusual for a text adventure because the player doesn’t use compass directions to navigate her way through the locations in the game, but instead uses the commands LEFT, RIGHT, AHEAD and BACK. So you have to keep reorienting yourself whenever you enter a room.

In a conventional text adventure in which you move by going NORTH, SOUTH, EAST and WEST, you can usually go from, say, the South Chamber to the North Chamber by walking north, and then return to the South Chamber by going south. In Arendarvon Castle, you’d make the same round-trip by going AHEAD and then BACK but, on your return, all the exits from the South Chamber would effectively be “reversed”, so that whatever was RIGHT before you left the South Chamber will now be LEFT, and vice versa.

This makes for tricky gameplay, although you’d probably get used to it in time. I haven’t had the chance to find out, though, because I always seem to be on the hunt for new old games, and forever distracted from actually sitting down to play any of the ones I’ve already found!


But perhaps Jason will add this one to his list of All The Adventures that he’s been playing his way through. If so, he’d be well advised to download the scans of the book that Arend Rensink intended the player to consult frequently while playing the game, because they contain a lot of supplementary — and in fact essential — material that you’ll need if you want to discover all the castle’s secrets.

The stories, journal entries, mock newspaper clippings and other documents in the book are the last — but not the least important — reason that The Secret of Arendarvon Castle is a noteworthy entry into the canon of classic text adventure games. The book is lavishly illustrated, by Bert Vanderveen, and the pictures, together with the detail in the accompanying text, conjure up an atmosphere full of occult intrigue that would surely have enticed many[1] a home micro user in the 1980s to take the plunge and start typing in those lines and lines of source code, one character at a time.

More details about The Secret of Arendarvon Castle, particularly its authorship, can be found here at CASA, the Classic Adventure Solutions Archive.

A disc image of the game suitable for loading into BeebEm, the BBC Micro emulator, is available here.

[1] I say “many”, but in fact it’s not clear exactly how many copies of Arendarvon were sold. In Arend’s own words, “It’s certainly never been a rainmaker ;-)”

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Wander follow-up

Previously I wrote about Wander, the 1974 mainframe text adventure game-creation system by Peter Langston, which was recently rediscovered.

1You can now play Wander online.

This em-dosbox repackaging of a DOS port of Wander was created by me, using blunt instruments. (I broke the SAVE and RESTORE commands, for example.) Please contact me if you know how to improve my rather crude hack.

Which came first? Wander or ADVENT?

Some of the Wander “worlds” that were recently recovered are 1980s versions, and include features that were added in response to ADVENT. (Peter Langston was apparently a member of the “UNIX Adventure Tastefulness Committee”, which was convened to sort out “Various design questions” surrounding the conversion of ADVENT to UNIX.)

But the very first versions of Wander – which are still lost – date from 1974 or earlier, so you can’t help asking yourself (or at least I can’t) if Wander might have been an influence on the development of ADVENT, which was always thought to be the first work of interactive fiction on a computer.

Was Wander distributed widely enough for Will Crowther and/or Don Woods to have had the opportunity to see it before they wrote ADVENT?

If the answer is no, then that does that mean there’s something fishy going on? Surely two people couldn’t independently have come up with the idea of a textual game of exploration where you navigate using compass directions?

Um, why not? What else would you use, if not NORTH, SOUTH, EAST and WEST? Well, actually, you might use LEFT, RIGHT, FORWARD and BACK – and there is at least one game that does: The Secret of Arendarvon Castle (of which more later).

Okay, so it is possible to make a text adventure game with a different set of navigational commands, but compass directions are probably easier for the player to use and for the programmer to implement. Also, for Will Crowther, compass directions might have been the natural choice when he was writing ADVENT because he was a caver who used a compass to map out underground cave systems in real life.

Non-deterministic non-linear story experiments

But what about Peter Langston? If he started working on Wander in or before 1974, did he implement compass directions from the beginning? We may never know – unless the earliest source code is found, which seems unlikely. (But perhaps Jason Dyer’s forthcoming blogposts will dig up some interesting artefacts from the code we already have.)

So, do we know anything else at all about the origins of Wander? Well, I did ask Peter that very question (before finally realising that I ought to leave him in peace now). His reply:

As to Wander’s inspiration, as I was writing other games, I got to thinking about the non-deterministic non-linear story experiments I had heard of the French doing in the 1920s, where the reader made choices that determined how the story went. I figured that fairytales like Rapunzel or science fiction like the Retief stories would be a good basis for such stories and computers would be the perfect way to present them, but it would require a great deal of programming skills along with the storytelling skills. So Wander was an experiment to see if the programming part could be made easier by pre-coding the common kinds of actions and consequences. I had the vague idea that I could make it easy to use and then coax some real authors like Robert Sheckley into writing some wanders. I never got that far, of course.

It’s a crying shame that we never got to see the words “A wander by Robert Sheckley” flash up on a computer screen!

I’m not sure exactly who the French writers that Peter refers to are. Raymond Queneau has been suggested for Un Conte À Votre Façon (1967), but that arrived several decades after the period indicated by Peter. If you have any other suggestions, please let me know.

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Wander (1974) — a lost mainframe game is found!

1I really have no right to take credit for this, because although I must have read about Wander in the Inform Designer’s Manual some years ago, it only really registered with me after I saw a list of lost mainframe games in Jason Dyer’s recent blogpost.

Wander was probably the first computer game that is recognisable as what came to be known as a “text adventure” (or “interactive fiction”) – pre-dating even ADVENT (a.k.a. Colossal Cave) by Crowther and Woods!

But Wander was more than that because it seems to have been designed to be a tool to allow users to create “non-deterministic fantasy stories”[1] of their own. So perhaps it would be more accurate to say that Wander was in fact the earliest known precursor to modern interactive-fiction development-systems like Inform 7!

Wander was thought to be lost, presumably languishing on one or more of the slowly decaying tape-reels of mainframe history. But Jason’s description of Wander on his blog was so intriguing, and the thought that there might still be a chance of finding it again was so tantalising, that I felt I just had to try to get in touch with the original author and programmer, Peter Langston – which proved to be remarkably easy to do.

A few emails later, and Peter, who is incredibly obliging, sent me a file named “Wander.tgz”, which contained source code and documentation for a 1980s release of Wander, which he had extracted from archived emails and then massaged into a form that would be usable today.

Sure enough, after a little tweaking, necessitated by the quirks of the ageing version of Mac OS X that I insist on using for some strange reason, I successfully compiled and ran the code and was thrilled to see the following text scrolling up my Terminal window:

$ ./Wander
Just Imagine …

You are traveling as  First Under-secretary to the Ambassador for the   Corps   Diplomatique  Terrestrienne,  (CDT).   Your  direct superior, Mr. Magnan, has managed to duck out of the  action  and leave   you   as  sole  assistant  to  his  superior,  Ambassador Pouncetrifle.  (The Ambassador is a classic bungler and would, if left on his own, mess things up badly.)

You have been sent to Aldebaran III where you  are  to  avert  an uprising against Terran nationals expected at the end of April.

During your trip you  were  able  to  peruse  the  ship’s  meager library  and  make  a  few  notes  on the history, life-forms and society of Aldebaran III, but much of Aldebaran culture is  still a mystery.

It is the middle of the night; the ship  on which you arrived has just departed from the small spaceport which you find to be windy and deserted.

wrdadd(ask, 0, 0, 0) returns 38 lastrw=38
which(“ask”) = 38
wrdadd(question, 38, 0, 0) returns 39 lastrw=38
which(“question”) = 38

I’ve omitted several more lines’ worth of diagnostic messages, which seemed to be running through the nouns and verbs in the “a3” demo game file that Peter sent to me along with the source code. The transcript now resumes (with the commands I typed in in bold):

You’re in the Aldebaran III spaceport. An electrified chain link fence surrounds the area with gates leading west and south.

There is a credit card here.
take credit card
Your account has 50 credits left.
(You can type balance any time to find current status).
Aldebaran III Spaceport
Your account holds 50 credits.
Aldebaran III Spaceport
Aldebaran III Spaceport
You are in the tiny waiting room for the spaceport.  No one is around.
There is a large vending machine here with a dark window, several buttons, and a large slot marked “insert credit card here”.

You are carrying some official identity papers
and some notes
and a credit card
kick machine
That would only help if the machine was broken, and it’s not!
Waiting Room

I’m no expert on C programming or indeed on interactive fiction, so I’m still trying to work my way through the code and the documentation that Peter sent me, but I think I can say without hesitation that this has all been a completely astounding and wonderful turn of events.

Many, many thanks to Peter and Jason for allowing me to be part of a rather historic moment.

[UPDATE 1: Peter Langston sent me a second version of “Wander.tgz”, derived from a 1980s release of Wander, which I had linked to here, but Peter has asked me to replace that second version with this third version “with save/restore actually working and with three more of the 1980 Wander worlds.” This third version still compiles on Mac OS X 10.6.8, and should compile on Linux too.]

[UPDATE 2: Another copy of Wander has now been found (along with the rest of Peter Langston’s 1980 PSL Games distribution, which Wander was part of). It was found by chineur Doug Merritt. This copy contains three more Wander “worlds”, in addition to the “a3” world that I’ve quoted from in the main post above. It’s now on Github.]

[UPDATE 3: favardin has compiled Wander for Windows and Linux.]

[UPDATE 4: I’ve hacked the source code to create a crude DOS port of Wander: it’s playable, but the SAVE and RESTORE commands are broken – please contact me if you know why. I then packaged up my DOS hack into an em-dosbox version which is playable online: click here to play Wander online. Again, please get in touch if you can improve either the DOS version or the web version, or if you know how to make a pure-emscripten port of Wander.]

[1] Quotation from the file “Wander.txt”, the man page for Wander, sent to me by Peter Langston with the source code.

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L — A Mathemagical Adventure (1984)

A video playthrough of the classic 1980s educational mathematics game L — A Mathemagical Adventure by the UK Association of Teachers of Mathematics, for the 8-bit BBC Micro computer :

Loading screen of the game

Loading screen of the game “L — A Mathemagical Adventure” for the 8-bit BBC Micro computer

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